Ugly Feelings – walkthrough

• How the meaning/cultural currency of feelings/emotions change over time.
• Emotions as shaped by cultural/political forces‍
• Representation of emotions in literature/film as revealing of the power structures at work.
• ‘Affect’ is used in different ways in different fields (neuroscience, psychology and literary/cultural studies).
• Sara Ahmed, Lauren Berlant and Sianne Ngai – critics for whom affects are crucially connected to structures of power (social/cultural/political); also interested in how affective states stretch our capacity to name them but haven’t cut loose from language and cognition.
• Sianne Ngai (Ugly Feelings), she’s interested in those feelings that are seen as unproductive/marginalised.

• One of the hall-marks of affect is ‘In-between-ness’.

… the most fundamental insight of affect theory: that no embodied being is independent but rather is affected by and affects others bodies, profoundly and perpetually as a condition of being in the world.

— Ahern, A Feel for the Text. (2018)

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The challenge for researchers is that affect is not something, but rather is “in many ways synonymous with force or forces of encounter”; rather than housed in or controlled by the individual, it “arises in the midst of in-between-ness: in the capacities to act and be acted upon.

— Ahern, The Affect Reader. (2010)

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• ‘Affect’ as dynamic – emotions not static but in process – changing as they move between bodies.
• Robert Solomon recommended ‘thinking of emotions as acts’, as ‘something we do, not just have’.
• 'Affect’ captures maybe better than emotion that embodied aspect of experience (something felt before it’s understood).